Street photography and getting started

Street photography and getting started
You would think walking around taking photos of random people in the the streets where you live would be easy. Well for some photographers it is, but for the majority it can be a bitter sweet experience.
Just the thought of walking around the streets with their camera can be reason enough not do do it.
If you do not do this type of photography at least once, I feel you are missing out on a great experience and a chance to meet new people and collect great photographs in the process.
So what is Street Photography?
Some would say it is about capturing the moment that tells a story on some poor unsuspecting person that had no idea you took their image. Others would say it is about the interaction with people and places and trying to capture a moment in time, again trying to tell that story in your image. Walking around the streets looking at the architecture, shadows, lighting, the unusual, using what is around you to create imagery and not interacting with people at all.
There are lots of theories about what street photography is and I am sure everyone will tell you something different. But for me it is about getting out there and having fun.
For the majority of us it can be stressful and quite a challenge, especially if you are on your own and carrying an expensive camera in unfamiliar places and this results in images that we are never really happy with and an adventure we wish we had not taken.
Making Street Photography Fun
This is how I started to make what was a difficult task easier. I always liked the thought of taking so call street photography images but in the back of my mind there was the thought of being confronted by an angry individual asking why I was taking their picture, was always there.
To get around this I started going to a location where cameras are not an issue, places where everyone is carrying one and happily taking images. Going with a family member or friends and making it apart of my sightseeing day out worked well for me.
I found that street markets in London were great places to take images. The store operators were used to having their image taken, people photographing their food and the people walking around were used to seeing cameras.
Events and Carnivals are also good places to get the human interest story, this is still taking images on the street.
When taking images of people close up, just ask if that is OK nearly all will say yes and once you have taken their image do not just walk away, say thank you and show them what you have taken.
Many street photographers will have you believe that that amazing image was taken on the spur of the moment but they are usually staged with the subject’s permission and the image presented may not be the only image taken.
My take on getting started in Street Photography is, if you are new to it then treat it as part of your day out. If you work in or around a tourist area then take the camera to work and on your way in to work or at lunchtime and even the evening just go out and take image of the life going on around you.
Finally
Always be aware of your surroundings, take someone with you if possible, respect people’s privacy and most of all make it fun.
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Using Gels to Change Background
Do you have an Speed-lite or off camera flash?
Can you trigger it using a remote or the pop-up flash on the camera?
Do you only have a single background colour?
If the answer is yes then this may be the post for you.
Did you know you can change the colour of your background without having to invest in expensive back drops or repainting your wall.
By using colour gels in front of your flash you can transform the dull grey, black or white background into a radiant blue or red and if you have multiple flashes you could have multi-coloured backgrounds.
What are Gels?
Gels or filters are transparent coloured sheets that are placed in front of the flash to change the light that is emitted. There are also Colour Correction Gels which have specific colour temperature ratings. The main colour correction gels are CTB (colour temperature blue) and CTO (colour temperature orange). A CTB gel converts tungsten light to ‘daylight’ colour. A CTO gel does the opposite.
How do we change the background
First of all you will need a stand to put your flash on, or use the small foot stand that came with the flash and something to stand it on. I will assume you may not have a light meter or a great deal of space.
You will need a way of triggering the flash, so a remote, the pop up flash on your camera or a long trigger cable.
Lets start by putting the flash to manual, and if it has a zoom, setting this to its widest setting (all flashes are different so please read the manual that came with it). Set the flash to half power and place about 3 – 4 feet away from the background. Depending on the type of image you are doing, if a head shot then place flash height to about the center of the model’s head, if the top half then center of the back as a general rule.
Now this bit depends on how you shoot your images and assuming that you have more than one flash, one to light the background and another for the subject.
Setting up to light the model
First is to eliminate all the ambient light, ( not shooting with the lights off ). What I mean by this, is to set the shutter speed to the maximum sync speed of the flash and then adjust the aperture, ( F5.6 – F8.0 usually works for me ), so that without the flash the image is black or underexposed and then turn the flash on and then adjust the flash output to light the model using a light meter if you have one, or just adjust the flash output manually and take test shots.
Once this is done turn off the flash lighting the model, and turn on the flash that is lighting the background with the Gel. Take a test shot to get the intensity of the colour you want. Turn both flashes on and shoot away. The background will always be the colour you want and the model should be perfectly lit.
If you have two or more flashes then try gelling two with different colours and put them out to the side and point them into the center to create multi-colour backgrounds.
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Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias Artist
Heather Tobias ArtistHope You Enjoyed The Final Results
All images © Tony Lewis Photography
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GRID
Hope You Enjoyed The Final Results
All images © Tony Lewis Photography
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Karen Jones – Studio Session
Photo Shoot Revisited.
This is one of my first photo sessions taken for my friend Tony and his friend Karen.
I remember the studio space was really small and if you could have swung a cat you would have more than likely knocked it out.
I was never happy with the original edits, so I thought I would revisit and take another look and try using the techniques and skills gained over the years from when these shots were first done.
Karen was a very patient participant in what was one of my first photographic outings.
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen Jones
Karen JonesHope You Enjoyed The Final Results
All images © Tony Lewis Photography
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Basecuts London

GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK Ltd
GNAT UK LtdHope You Enjoyed The Final Results
All images © Tony Lewis Photography
Thank you for reading this post

Basecuts
Hope You Enjoyed The Final Results
All images © Tony Lewis Photography
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Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic Artist
Juliette Purdy Ceramic ArtistHope You Enjoyed The Final Results
All images © Tony Lewis Photography
Thank you for reading this post

International Child Care Trust
Hope You Enjoyed The Final Results
All images © Tony Lewis Photography
Thank you for reading this post